024 / CHROMATIC BASS MACHINE
FM PM OFF → FM → PM → OFF
LET IT BREATHE. LET IT BITE.
Start a riff, play the piano or use A W S E D F T G Y H U J K. This is a monophonic bass synth: the last note takes over; Glide slides between pitches. Hold latches your note. Escape silences it.
Snarl sweeps two resonant formants and the low-pass filter. Range sets the sweep distance; Invert reverses its direction. Wave moves from sine through saw to pulse. The halo listens to the actual output.
FM / PM: A is the audible carrier. B, C and D modulate it or each other. Click a route to cycle frequency modulation, phase modulation or off. Ratios tune the operators; Mod sets their strength. Connections flow toward A to keep the network stable.
Distort: choose soft clipping, wave folding or fuzz. Three-band mode distorts the low, mid and high bands separately. Tone darkens the processed signal; Mix blends it with the clean sound.
MIDI: click Connect MIDI, allow access and choose your keyboard. Velocity, sustain pedal and pitch bend (±2 semitones) are supported. Mod wheel (CC1) or CC74 controls Snarl. MIDI input stays local; no SysEx is requested. If your browser has no Web MIDI support, use one that supports it.
Drag a dial up or down, or use its slider and arrow keys. Field Motion pauses the background animation. Audio begins only when you play.
An original BLONDA synthesis engine and procedural visual design, inspired by Lunacy Growl. No original samples, graphics or code are used.